Hello. This is Francesca Spiegel.

 

image of a woman in her late thirties with long hair wearing a backpack, a silk scarf, a baseball cap, and a sequin spaghetti strap dress

I write essays and stories of absurd joy in unlikely places, and visceral tragedy. I’m represented by Elias Altman, Massie McQuilkin &Altman Literary Agents.

Here’s what I’ve published.

 

2026

“A mushroom forest of imaginary penises,” a humor-essay in MidCult.

“He still owes me the $2.75,” forthcoming in Dead End Editions.

2025

“People in Beverly Hills,” flash in Press Pause.

“The medications kept my mind in a loop,” cultural-criticism essay in Electric Literature.

2024

“Lithium is the new gold,” fake-nonfiction (meso-fiction) about California, in Across the Margin.

“Prozac Nation, Revisited,” personal essay about Elizabeth Wurtzel and the classical memoir plot, in Hobart.

“This is California, too,” mystery-essay set on a scorched cycling path somewhere in East Los Angeles, in Press Pause.

 

2023

“Dysmorphia, ‘degenerate’ art, and the dormancy of toxic thoughts,” book-review-essay, in The Smart Set.

“A murky unlearning: Sophocles and the Greek art of Failure,” academic essay on Jack Halberstam, Kae Tempest and Philoctetes, in The Routledge Handbook of Classics and Queer Theory.

2022

“Delia Derbyshire, or the queen of electronic music,” book review of Re-Sisters by Cosey Fanni Tutti, in Louder Than War.

“We were all Nobody once,” academic book review about the life, work, and memoirs of the classical scholar E.R. Dodds, in The Classical Review.

2019

Classical Literature and Posthumanism, academic essay collection, co-edited with Giulia Maria Chesi, Bloomsbury Academic, 480pp.

“Feminist clowns and fairy tale in Bait: Kill the Princess,” stage review in Broadway Baby.

Review of Butch Princesa by Andrea Spisto,” in Broadway Baby.

2018

Book review on props and physical objects in ancient Greek theater, in Bryn Mawr Classical Review.

2017

“The tragedy of reality TV fame,” film review, IndieRepublik.

Discreet, Travis Matthews’ ballad to gay Texans,” film review, IndieRepublik.

“Golden Exits fails to glisten at the 2017 Berlinale,” film review, IndieRepublik.

2016

Exclusion in Sophocles, doctoral dissertation on the ancient Greek tragedian Sophocles.

“Not even his dead body: Polyneices, the excluded brother,” chapter in Occupy Antigone, Peter Narr Press.

“Songs about Giles,” poem in Poetry Nights III – an anthologyThe Soho Society Club.

2015

Book review: On family secrets, and the millennial London bedsit life. Kat Gordon, The Artificial Anatomy of Parks.

Book review: Millennial admin temp life in Alice Furse’s office novel, Everybody Knows This Is Nowhere.

Interview: Biographer Clifford Slapper on the life of Mike Garson. Bowie’s Piano Man.

Book review: The Berlin Diaries by Noel Maurice. Remembrance of the 1990s.

2014

Interview: Lauren Oyler on writing Berlin.

Book review: A 1970s childhood in Thatcher’s Britain. Springfield Road by Salena Godden.

2013

Essay: “‘Our Mind Is the Ancient Proteus’: Proust, the Poets, and the Sea.” in the collection: Transformative Change in Western Thought: Metamorphosis from Homer to Hollywood. Routledge.

2012

Book review: on staged murders and reported deaths in Greek tragedy. Bryn Mawr Classical Review.

2011

Book review: War in Words: Transformations of War from Antiquity to Clausewitz. For the Bryn Mawr Classical Review.

Essay: on Marcel Proust in faux-Pompeii. “In Search of Lost Time and Pompeii.” Oxford University Press.

Greek lyric arrangement: Brian Elias’ Electra Mourns–premiered at BBC Proms, 2012

2009

Translation: “Books and Literacy,” in The Oxford Handbook of Hellenic Studies.

Glossy Ruin Quarterly

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